Jeet HeerJosephine Livingstone / The New Republic
The problem with the way we talk about Woody Allen is not in accidentally saying he is good when he is bad, or bad when he is good—either as a man or as a filmmaker. No, the problem is in giving him the keys to the kingdom of moviemaking. The problem with Allen is his power. The same power that enables him to make artistic choices, and to remain the be-all-and-end-all of “what his movies mean,” also empowers him to do whatever he likes, including abuse vulnerable people.