The gender ratio of the authors on the New York Times Best Seller list is one way to gauge how being a female writer today might be different from 70 years ago, in Shirley Jackson's time. The Best Seller list is the equivalent of the Billboard Hot 100 for literature, tracking the weekly 10-15 best-selling books since the 1940s. By taking the set of books that made it onto the list each year and looking at the gender of the authors, we can track the changing relationship between author gender and commercial success.
As a child, the characters I looked up to were Disney Channel stars such as Lizzie McGuire, who I loved for her kindness and independence, or the members of girl bands such as Destiny’s Child and the Spice Girls, who always struck me as strong and in control. The females who my peers and I would pretend to be in the playground were Hermione Granger from J K Rowling’s Harry Potter series, or Buffy Summers, the resilient heroine of Buffy The Vampire Slayer. Looking back, I can see that these role models weren’t perfect, but I can also see how much I needed them. Just seeing these powerful females showed me that I was capable, too. This is why role models matter.
Once again, the London Review of Books “has the worst gender disparity”, with women representing only 18% of reviewers and 26% of authors reviewed. The LRB’s figures have remained more or less consistent since the first Vida count in 2010, despite the publication telling the author Kathryn Heyman in 2013: “… there’s no question that despite the distress it causes us that the proportion of women in the paper remains so stubbornly low, the efforts we’ve made to change the situation have been hopelessly unsuccessful. We’ll continue to try – the issue is on our minds constantly."